Gheluyt in Antwerpen Luting in Antwerp 
Nadine Duymelinck, luit & vihuela
Muziek van
Adriaenssen, Dens, de Rans, Huygens, vanden
Hove, Phalesius, Vorsterman, Milan & teksten van Guicciardini
Naar aanleiding
van de publicatie van het boek “Geluit
in Antwerpen tijdens het Ancien Régime” van Godelieve Spiessens,
uitgegeven ter
gelegenheid van het eerste Europese Luitfestival in Antwerpen vorig
jaar, heeft
Nadine de muziek uit die tijd tot klinken gebracht. Vele werken zijn nog
niet
eerder uitgebracht op cd. De luitmuziek wordt gelardeerd met teksten van
Lodovico Guicciardini uit die tijd in Oud Nederlands.
Uitgebreide
informatie door G. Spiessens, J. Lüdtke en
A. Renel in het inlegboekje.
Prijs: 15€
Info:
vzwcantiga@gmail.com of Laar 36, B2140 Antwerpen
Anthony HOLBORNE:
Pièces pour luth
Federico
Marincola, luth à 7 choeurs
AR 050
PV710041 Stereo
DDD
(digital recording
may 1995)
Pandora² en Ultreya : Jakobus
Jakobus is de nieuwste CD van Pandora² en Ultreya (Jan Dhondt, Erik Boone, Ludwig Van Gijsegem, Bart Roose, Martina Diessner, Peter Van Wonterghem en Marcel Ketels) met als thema de pelgrimsweg naar Santiago de Compostela. Op ons luitfestival 21 maart ’10 in kasteel de Renesse brachten ze deze muziek met veel bijval ten gehore. Het is dan zeker ook een aanrader: pelgrimsliederen in alle talen en uit verschillende periodes met aangepaste instrumenten, daartussen wordt het verhaal ook verteld in het Nederlands.
De cd is verkrijgbaar via de muzikanten of kan besteld worden via jakobus@telenet.be
De prijs is 15€ (+ 2,5€ portkosten).
Partie du trajet du pélerinage de Compostelle, le Camino est un rendez-vous interculturel pour toutes les nationalités européennes. Tous les chemins mènent à... la Galice, tout au Nord de l’Epagne. Depuis le 10e siècle, les pèlerins suivent la trace du martyr Jacques le Majeur à la recherche d’eux-mêmes ou de l’absolution de leurs péchés. Les difficiles conditions du voyage firent que les gens se déplacaient en groupe et des relais routiers virent le jour où les voyageurs avaient le temps de reprendre des forces tant physiques que spirituelles. Les gens qui se réunissent et se déplacent chantent volontiers, c’était le cas lors des pélerinages. Grâce au Codex Clixtinus (1140) et au répertoire populaire, beaucoup de ces chants ont été conservés. Pandora et Ultreya ont réalisé une sélection dans ce vaste répertoire, créant un aperçu de ces 10 siècles de dévotion avec Saint Jacques comme figure centrale. Les sujets de ces chants sont aussi variés que les nationalités qui les ont produits. Souvent badins, ou combatifs, voire plaintifs, ils deviennent en approchant de la cathédrale solennels et religieux. L’instrumentarium en est divers et historique. Les interprètes recherchent surtout l’authenticité. Un témoignage du dévouement de ces centaines de milliers de pélerins qui nous ont précédés.
Ook verkrijgbaar bij
Rombaux Mallebergplaats 13 8000 Brugge,
Carmelitana Burgstraat 46 9000 Gent
La Boîte à Musique Koudenberg 74 1000 Brussel
Kellner & Weiss Works for lute
Karl Nyhlin, 11ch.baroque lute
http://www.nyhlin.net/
dB31CD © 2010
Greet: Zeer onderhoudende cd, hoewel slechts twee componisten zit er toch voldoende afwisseling in. Bekende (Phantasia van Kellner) en minder bekende stukken wisselen elkaar af, clean gespeeld met nodige dynamiek.
"Karl Nyhlin's lute playing was wonderfully flowing, like the sounds of the river that is always constant yet always fresh - what beauty!"
Morgunblaðið (Iceland), 12 July 2005
"Karl Nyhlin performed with beautiful tone and total assurance. ...an excellent mini recital"
Lute News – The Lute Society Magazine (UK), Number 82, July 2007/Number 85, April 2008
Mårten Falk & & El Escorial
The Spanish renaissance World of Miguel de Fuenllana
M. Falk vihuela, A. Petrini recorders, L. Agnani viola da gamba, I. Falk soprano
Meeste werken van Miguel de Fuenllana afgewisseld met enkele recercada van D. Ortiz
dBCD132 © 2010
www.martenfalk.com
Remembrance of things past
Theresa Bothe, voice, Peter Croton, lute
Special guest Derek Lee Ragin, voice
De wereldpremière van 5 nieuwe luitliederen gecomponeerd
door Peter Croton , luitleraar aan de Schola Cantorum in Basel.
Daarbij arrangeerde hij ook luitsolo’s en intro’s gebaseerd op de
Dowlandliederen die de rest van deze cd vullen. Moderne luitmuziek
zit duidelijk in de lift. De nieuwe luitliederen zijn op
teksten van Shakespeare, Theodore Roethke en Rumi.
19 tracks, 62’34” muziek
Guild Gmbh Switserland GMCD 7341
http://www.guildmusic.com/shop/wbc.php?sid=2774329f3bf&tpl=produktdetail.html&pid=11673&recno=1info@guildmusic.com
Anthony Bailes: GAUTIER , Apollon orateur
The association of Denis Gaultier with Apollo in a 17th c. lute manuscript is not as audacious as it might at first appear: the lutenist was held in great esteem by his contemporaries; indeed, for many he was the embodiment of genius on the lute, the “nonpareil”, and one of the very few capable of “speaking” to his listeners. At first glance, his compositions seem little different from those of his collegues, but further examination reveals a sophistication unparalleled in any other lute music of the period. One is immediately struck by the economy of the writing, in which no note is superfluous and the musical structure reduced to its essence. This minimalist approach is even more apparent in later, published versions which show subtle traces of revision. Denis Gaultier exploited the instrument to the full, and in doing so take the art of lute-playing to a realm undreamt of by elder colleagues. His music placed great demands on the lutenist, lute and listener alike for, knowing what could be achieved, Gaultier chose to push the instrument to its limits, and everyone else along with it. http://www.ramee.org/0904gb.html
Claire Antonini, luth baroque: Manuscrit Vaudrey de Saizenay
Comment exprimer la chance d’avoir à notre portée des sources aussi précieuses que ce manuscrit ! Celui-ci fut, je crois, l’un des premiers à figurer dans ma bibliothèque et se trouve régulièrement ouvert sur mon pupitre.
Avec cet enregistrement, je souhaite rendre hommage à Jean Etienne Vaudry de Saizenay, qui, certainement par amour de la musique et du luth, a eu la patience de collecter et de copier ces quelque 450 pièces pour luth et théorbe.
J’ai choisi de présenter ici une sélection de pièces pour luth tirées du premier recueil de ce manuscrit, laissant de côté les pièces pour théorbe, qui sont, me semble-t-il, plus connues du grand public.
Si cette sélection personnelle témoigne de mes affinités musicales, elle répond également à deux soucis majeurs :
- Celui de la fidélité à l’esprit du manuscrit, dans le respect de sa construction : l’organisation des modes, la richesse des formes musicales, et la multitude d’auteurs – qu’ils soient luthistes de renom tels que Gaultier ou de Visée, peu représentés tels que Emond et Jacquesson, ou encore inconnus.
- Celui de la clarté du discours musical. La musique française pour luth étant assez « ésotérique » et souvent réservée aux initiés, j’ai cherché une combinaison de pièces harmonieuses, variées, privilégiant une écoute agréable, proche de l’esprit du concert et accessible à un large public. On entendra donc une alternance de suites de danses et de pièces isolées, mises en lumière par le jeu des changements de tonalités, et permettant aux différents auteurs de se répondre et d’affirmer leur personnalité et la richesse de leur style – l’audace et l’originalité de Gaultier, la mélancolie de Gallot, la noblesse de R. de Visée…
J’espère sincèrement que cet enregistrement permettra aux auditeurs d’apprécier l’univers poétique de la musique pour luth, de percevoir la filiation qui existe entre ces différents auteurs, et qu’il témoignera ainsi de la formidable inspiration musicale des luthistes français.
Claire
(par example chez http://www.abeillemusique.com/ )
Mignarda: Au Pres de Vous: 16th century chansons for lute & voice
We're happy to announce the release of our 6th CD, Au Pres de Vous. Recorded in the warm and vibrant acoustic of an old country church, our latest release explores the important marriage of music, poetry and dance tunes of sixteenth century France. The composers of these chansons and psalm settings - including Sermisy, Janequin, Crecquillon, Lassus, and our favorite, Philip Van Wilder - were inspired by the eloquent grace and the passionate artifice of poets Marot and Ronsard, among others. Notable among the several previously unrecorded chansons are three completely unique settings of 'Pour un plaisir', a forgotten 16th century hit. Lute solos include dances and preludes from the publications of Attaignant and Phalese, and ricercars and fantasias from Marco dal l'Aquila and 'il divino' Francesco da Milano. Au pres de vous can be purchased now directly from us at http://www.mignarda.com/cds . Single-song and full-album MP3 downloads will be available soon at Amazon.com, CD Baby, iTunes, or your favorite download site.
Il Canto d'Orfeo - Il Trionfo del Tempo
With Thomas Boysen (lute), Bart Rodyns, Jan Van Elsacker and Claire Lefilliâtre
2nd of October the first CD of Il Trionfo del Tempo "Il Canto d'Orfeo" will appear. Listen to a fragment on
www.myspace.com/iltrionfodeltempo
You can order this CD by sending a mail to iltrionfodeltempo@gmail.com with indication of your name, email
and home address.
After receiving the payment on
IBAN: BE36 9791 6931 1481
BIC: ARSPBE22
Michel Amoric: Pièces pour luth, guitare & éléctroniquecontact:
musicresidence@orange.fr
Christian Vasseur: Alam
Hello,
my album of music for archlute was edited by the
Berliner label Humming Conch at 28th may.
You can listen to some pieces on the web site of the label and on Lastfm :
http://www.hummingconch.net/releases/conch-003-christian-vasseur-alam
http://www.lastfm.fr/music/Christian+Vasseur/Alam
I hope you will enjoy with my music.
Best wishes.
Christian Vasseur
New Pantagruel CD
We are happy to announce that our new CD, Laydie Louthians Lilte is now available from www.pantagruel.de. Click here to Order.
This time the scene moves from Elizabethan England of our last CD Elizium to Jacobean Scotland, presenting the whole gamut of “wordly” music that was played back in early 17th century Scotland. So alongside the Scots dances and songs there are lute songs by John Dowland, Robert Johnson, Robert Jones & Thomas Ford and English Broadside ballads.
There are a number of those “World Premiere Recording” things, including the “Yee Gods of Love”, an amazingly beautiful lament of distant Irish origin, plus the equally memorable but more up-tempo “Over the Mountains”, “Then Wilt thou goe”. One of the abslute highlights is the just over 8 minute long epic “Venus & Adonis”, combining excerpts from the famous Shakespeare’s poem, a “never before recorded” ballad text (sorry to mention it again, but some people really get off on this never before recorded stuff) and lots of wild cittern and Bass-lute “riffing” (All of the cittern pieces have also never been recorded before J).
It was recorded in Colnrade, a small village in North Germany, (you can see a “Making of Video”, listen to MP3 excerpts at out MySpace Blog here).
The local church has been used for a number of award winning recordings and had an absolutely fantastic acoustic.
It comes in one of those new fangled fancy Discbox-Slider, with a CD in good old fashioned Vinyl look and a fold out text sheet.
Les Baricades Mistérieuses : Couperin, Gaultier, Kellner, Weiss, Gallot.
Miguel Serdoura, luth baroque http://musique.fnac.com/a2526660/Couperin-Les-Baricades-misterieuses-CD-album?PID=2&Mn=-1&Ra=-29&To=0&Nu=1&Fr=3
Though variant tunings having already appeared during the first years of the sixteenth century, the first part of the seventeenth century saw a great number of tunings emerge, the most successful being those occurring in Pierre Ballard’s 1631 and 1638 publications of Tablatures de Luth de Differents Autheurs sur les Accords Nouveaux. Three out of these four accords nouveaux produce a superb resonance, but all share the disadvantage of being restricted to certain keys, modulation being often accompanied by a distinct deterioration in tone quality. It was no doubt this factor which contributed to their decline in popularity and the subsequent acceptance of the fourth one, the d minor tuning, which was less susceptible to this problem and remained the standard lute tuning until the instrument’s demise in the late eighteenth century.
The accords nouveaux gained widespread acceptance and inspired players to produce some of the most sublime music ever created for the lute – some of which can be heard on this recording, played by the great English lutenist Anthony Bailes.
Hans Neusidler, Bart Roose
Ein newgeordnet künstlich Lautenbuch, 1536
http://www.stelito.be/overzicht.asp
16 EUR , moet slechts na ontvangst betaald worden.
Indigo Road, Ronn McFarlane 
Hello Lute enthusiasts,
I just wanted to share with you an amazing new recording from Ronn McFarlane. Ronn is well known through his performance with the Baltimore Consort. His latest effort, Indigo Road, showcases not only his extraordinary talent for playing but also his gift for original music composition.
You can hear samples of this CD at Ronn's Myspace page at www.myspace.com/ronnmcfarlane or on the Dorian Recordings myspace page myspace.com/dorianrecordings
enjoy!
Weiss, Concerto for two lutes, Suites
"All the music here comes from two related manuscripts, only recently discovered. They were located in the library of Count Harrach, amongst the collections held in the family Schloss at Rohrau, east of Vienna (and home to an important private art collection). Prior to the Harrach library being transferred from Vienna to Rohrau in 1970, most of the music manuscripts in it were sold. The significance of these two manuscripts was perhaps not recognised at the time. One of the two manuscripts carries the title ‘Weiss Sylvio – Lautenmusik’; there are 64 pages in the manuscript and pretty well all of the works in it can safely be attributed to Weiss. The other manuscript is headed ‘Laten Musik von unbekannten Componisten’ (Lute music by unknown composers); this manuscript contains 65 pages and, again, pretty well all can be confidently attributed to Weiss, either because they are versions of compositions known to be his from other sources or on clear stylistic grounds. Some pieces from the manuscripts appeared in the anthology Klingende Schätze aus Schloss Rohrau, issued by Cavalli (CCD 446) in 2005 along with works by Angelo Ragazzi, Vivaldi, Francesco Alborea and Gottfried Finger. Now we have premiere recordings of more material from the manuscripts, most notably the Concerto for two lutes. I believe that this is the first time that the music for one of Weiss’s duos has been found complete. There is other music here which was already known, though it turns up in company with different companions as it were, in different sequences of movements and so on."
www.atmaclassic.com
Corbetta, La Ghirlanda Mosicale
et Ugo Nastrucci op barokgitaar en teorbe. Laat dit geen gewoonte worden, ons hart gaat ditmaal uit naar werk van Corbetta, in zijn tijd stergitarist aan alle Europese hoven. Een keur aan instrumentale en vocale stukken toont ons de veelzijdige inspiratie van deze componist. De gevarieerde en levendige interpretatie door het ensemble La Ghirlanda Mosicale verveelt geen ogenblik. ‘Le Tombeau de Corbetta’, een eerbetoon door Robert de Visée aan zijn tijdgenoot, sluit tot onze grote voldoening de opname af. Als luitliefhebber is het goed om deze muziek bij de hand te hebben: verandering van spijs doet eten. (http://www.dynamic.it).
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